2020.5.21 / 19:00 - 20:00
楊一：內(nèi)部參考
Yang Yi
楊一 Yang Yi - 吉他 Guitar / 人聲 Vocals / 口琴 Harmonica
楊一，獨(dú)立音樂人。1969年出生于粵北山區(qū)小鎮(zhèn)，九十年代初前往北京，入駐圓明園藝術(shù)村，開始音樂創(chuàng)作，以街頭演唱的形式表達(dá)自己的藝術(shù)理念。一個(gè)人，一把琴，楊一在中國(guó)美術(shù)館門前唱了十二年自己的歌。
整個(gè)九十年代，楊一多次前往陜北采風(fēng)，收集整理民間歌謠，保留這些民歌*初的情感表達(dá)。在唱片工業(yè)的末日，楊一以獨(dú)立的姿態(tài)，堅(jiān)持制作了自己的音室專輯《內(nèi)部參考二〇〇〇》，《內(nèi)部參考二〇〇四》。2000年后，楊一旅居德國(guó)，繼續(xù)自己的音樂創(chuàng)作，淡出大眾視線。
Yang Yi is an independent musician. He was born in a mountain town in northern Guangdong in 1969 and settled in Yuanmingyuan Artist Village, Beijing, in the early 1990s for his career in music, expressing his artistic concept through street performances. Yang Yi sang his songs in front of the National Art Museum of China with his guitar alone for twelve years.
Throughout the 1990s, Yang Yi went to northern Shanxi many times to collect folk songs and preserve their original and raw emotional expressions. Regardless of the declining recording industry at the time, Yang Yi insisted on producing his own studio albums Internal Reference 2000 and Internal Reference 2004. Since 2000, Yang Yi has been living in Germany. He continues to make music while fading out from public sights.
2020.5.21 / 20:20 - 21:20
王凡：阿曼達(dá)拉振蕩或者沒有茶
Wang Fan
王凡 Wang Fan - 筆記本電腦 Laptop
王凡，1970年生，來(lái)自西北工業(yè)重鎮(zhèn)甘肅蘭州，中國(guó)大陸*個(gè)非學(xué)院派先鋒音樂家、實(shí)驗(yàn)音樂家、作曲家和聲音設(shè)計(jì)師。他是阿那都品全球腦造音（Anadopin）的創(chuàng)辦者及出版制造商。1990年代末期，他開始創(chuàng)建多維音覺藝術(shù)和新極簡(jiǎn)主義音景，音樂作品風(fēng)格橫跨流行、前衛(wèi)音樂、具象音樂、新民謠、民族電音、新古典、噪音實(shí)驗(yàn)音樂、即興、電子科技舞曲和新混合環(huán)境氛圍音樂等。自1999年以來(lái)，他發(fā)表了《身體里的冥響》、《無(wú)限反復(fù)》和《五行》等專輯和作品。除了現(xiàn)場(chǎng)表演，王凡還從事冥想聲場(chǎng)、腦波頻開發(fā)設(shè)計(jì)、聲音裝置、建筑與空間環(huán)境聽覺設(shè)計(jì)等工作，并為電影、戲劇和舞蹈等創(chuàng)作配樂和律動(dòng)聲音場(chǎng)。
Born in 1970 in Lanzhou, Wang Fan is a non-academic avant-garde / experimental musician, composer, and sound designer. He is the founder and publisher of the label Anadopin. In the late 1990s, Wang Fan started to work on multi-dimensional sound arts and new minimalist soundscape. His musical styles cover pop, avant-garde, musique concrète, neo-folk, ethnic electronica, neoclassical, noise, improvisation, techno, and neo-environmental-ambient music, etc. Since 1999, he has released Sound of Meditation Within the Body, Infinite Loop and Five Primary Elements. In addition to live performances, he also engages in meditation sound fields, brainwave frequency development, sound installations, and architecture and spatial environment auditory design, and creates soundtracks and rhythmic sound fields for films, plays, and dances.
2020.5.21 / 21:40 - 22:40
民謠IZ樂隊(duì)：你要去哪兒？
IZ (folk)
馬木爾 Mamer - 吉他 Guitar / 人聲 Vocals
夏力 Xalhar - 吉他 Guitar / 和聲 Backing Vocals
別克 Araybek - 打擊樂 Percussion
作為馬木爾眾多音樂項(xiàng)目之一的民謠IZ樂隊(duì)，在2010年之后已經(jīng)徹底消失在公眾視野。現(xiàn)在，馬木爾的創(chuàng)作重心完全偏向于工業(yè)、噪音等領(lǐng)域，而對(duì)所謂“優(yōu)美”、“好聽”的民謠及民歌始終保持距離，只剩下早期的兩張專輯《Eagle》（英國(guó)Real World出版）和《IZ 2007》在樂迷之間口耳相傳。而今民謠IZ樂隊(duì)借由“返場(chǎng)72小時(shí)”之機(jī)重組復(fù)出，令人萬(wàn)分期待，我們有理由相信這是一次全新的啟航，他們將創(chuàng)造出新的語(yǔ)言，拓寬哈薩克音樂及中國(guó)民謠的疆界。
The IZ (folk) is one of Mamer's music projects, which has been completely out of public view since 2010. At present, Mamer’s work focuses entirely on the Industrial and Noise spectra while keeping a distance from the so-called beautiful and pleasant folk music. Only two of his early folk albums include Eagle (released by UK label Real World Records) and IZ 2007 are known to the fans. Excitingly, now with the opportunity of Encore 72 Hours, the folk IZ will reunite and return to the stage. We have reasons to believe that this is a brand new beginning. They will create new languages and expand the boundaries of Kazakh music as well as Chinese folk music.
